It begins with a smell—sharp and green, like the moment you break open a sour plum beneath your thumb. In Tbilisi’s Deserter’s Bazaar, where pomegranates gleam like garnets and walnut vendors crunch through shells by muscle memory, a woman in a wool shawl hands me a teaspoon of jade-colored tkemali from a recycled jam jar. The sauce glows like rain-wet moss. It hits the tongue with an urgent sourness, then tumbles into bitter herbs, minty-cool pennyroyal, garlic warmth, and a soft fenugreek hum that lingers like a chorus. My mouth waters again before I’ve even swallowed. There’s a reason Georgians put tkemali on their tables the way others put salt.
In Georgian cooking, tkemali—an herb-laced sauce made from cherry plums—isn’t a novelty or a garnish. It is an everyday compass; a way to steer fat toward brightness, carbs toward lift, and the ordinary toward something that tastes like the first day of spring. It is what fried potatoes want. It is what grilled pork needs. And once you learn to use it, your own cooking starts to tilt toward balance in ways that feel inevitable, even when you’re 2,000 miles from Tbilisi.
Tkemali is Georgia’s sour heart: a plum sauce made primarily from wild or cultivated cherry plums (Prunus cerasifera), simmered, strained, and vigorously seasoned. There are two main moods:
What sets tkemali apart from other sour condiments isn’t just that wallop of fruit acidity; it’s the specific Georgian herb and spice architecture. Classic seasonings include garlic, coriander seed, dried red pepper, dill, cilantro, and two signature notes that instantly whisper “Tbilisi” to anyone who’s lived there:
Depending on the household or region, you might also encounter ground dried marigold petals (kviteli kvavili), black pepper, or summer savory. The result is a sauce that walks the knife’s edge between refreshing and austere, familiar and bracingly specific. If you’ve only known “plum sauce” as a sugary dip from a takeout packet, prepare for a recalibration: tkemali is lean, grown-up, and built for real food.
In spring, vendors in the market pile cherry plums into shallow bowls, their skins tight as drumheads. The early ones have a sheen that suggests lime and sea glass; shake the bowl and they clack like marbles. Later, the plums deepen into garnet bruise and the air grows richer with ripeness and the faint perfume of stones. Near the herbs, you can smell pennyroyal the moment you approach: not toothpaste mint, but the smell of crushed meadow under your boots.
This is where you hear the first opinions. “Green for pork and potatoes,” says one seller, tapping her jar with a wooden spoon. “Red for trout,” counters another, squeezing the jar so the sauce peeks under the lid. I hover like a happy thief, dropping coins for tastes and mental notes. The green tkemali is bright enough to make my teeth sing; the red sits silkier on the spoon, a little richer, as if someone lined its pockets with warmth.
At a stall that also sells adjika—another Georgian essential, a raw red pepper paste that smells like embers and garlic—I watch a shopper buy a bottle of green tkemali and a bundle of tarragon. “Chakapuli,” the vendor nods, naming the spring lamb stew that tastes like an April rainstorm poured over meat. Tkemali isn’t the star in that dish—lamb and tarragon lead—but its soul runs right through it. That’s the beauty of tkemali in Georgian cooking: it often plays a support role, but without it, the balance collapses.
To cook well with tkemali, you want to understand its geometry:
When a dish feels heavy, tkemali is the lever that tips it upright. When a dish feels flat, tkemali is the splash of lime that suddenly makes the music audible.
It’s an easy sauce once you respect the process: cook the fruit gently, strain, season assertively, and keep it bright. Here’s a method that has served me well, learned in fragments from a grandmother in Kakheti and a young cook in Tbilisi who insisted on weighing the herbs, then winking as she ignored her scale.
Ingredients (yields about 1.2 liters):
Method:
Wash and simmer: Put plums in a nonreactive pot (enamel or stainless steel). Add 300 ml water. Bring to a gentle simmer over medium heat, stirring often so the skins don’t scorch. The plums will collapse in 10–15 minutes; keep them moving until they slump into a loose mash.
Strain for texture: Pass the mash through a food mill or a sturdy sieve into a clean pot, pushing to catch all the pulp. Discard skins and pits. The puree should be velvety, somewhere between heavy cream and ketchup in thickness. Add a splash of water if it’s too thick to stir easily.
Season while warm: Over low heat, stir in salt, garlic, coriander, fenugreek, red pepper, ombalo, dill, and cilantro. Keep it from boiling—just a gentle steam rising is ideal. Taste frequently. The sauce should be bright, savory, and slightly bitter on the finish. Add marigold if using; it contributes a sun-dried, haylike perfume that’s incredibly Georgian.
Balance: If the sourness verges on metallic, a teaspoon of sugar can round the edge. If the heat feels shy, another pinch of red pepper. If the sauce feels muddy, a little more salt and a few drops of water to open the flavors.
Cool and store: Ladle hot tkemali into sterilized jars, seal, and cool at room temperature before refrigerating. It will keep for weeks in the fridge; months if properly canned. The color may mute slightly over time—that’s natural.
Notes on ombalo: Pennyroyal is potent. Use dried leaves sparingly; too much tastes medicinal. If you can’t find ombalo, combine a tiny pinch of dried mint with a few torn leaves of fresh tarragon or lemon balm to approximate that cool-green bitterness. It won’t be identical, but it will be honest.
Georgia’s size belies its culinary diversity, and tkemali travels with the terrain.
One Kakhetian grandmother taught me to crush a few plum pits with a mallet and simmer them in the mash for five minutes, then strain them out, chasing a faint almond perfume—subtle, not amaretto-sweet. Another family insisted on adding a spoon of raw tkemali at the end, off the heat, to “wake the cooked sauce back up.” Each recipe carries a personality; what unites them is a refusal to let the sauce go flabby.
The best way to understand tkemali is on a plate.
The principle behind each pairing: fat + starch + char want acid + herbs. Tkemali provides both in one spoon.
Most people treat tkemali like ketchup or salsa—spooned at the table. That’s half the story. Used in cooking, it behaves like a well-mannered acid, transforming pan sauces, marinades, and braises.
As a marinade: Whisk 3 tablespoons green tkemali with 1 tablespoon neutral oil, 1 crushed garlic clove, 1 teaspoon ground coriander, and a pinch of salt. Toss with chicken thighs or pork for 30–60 minutes. You’re not tenderizing; you’re perfuming and laying down acidity that will turn radiant under heat. Grill, then swipe with fresh tkemali as it rests.
As a glaze: Reduce 1/2 cup red tkemali with 1 tablespoon honey and a spoon of water to a nappe consistency. Brush onto roasted carrots or salmon in the last five minutes. The glaze should be tangy first, sweet second—never sticky-sweet.
Deglazing a pan: After searing pork chops, pour off excess fat; add 1/4 cup green tkemali and 1/4 cup water or stock. Scrape the fond, simmer 1–2 minutes, swirl in a teaspoon of butter, and finish with black pepper. It’s a 90-second sauce that tastes like you meant it all day.
Dressing: Whisk 1 tablespoon tkemali with 2 tablespoons good olive oil, a pinch of salt, and a little grated garlic. Toss with shredded cabbage, dill, and sliced cucumber for an improvised Georgian-leaning salad.
In beans: Stir a spoon of tkemali into a pot of lobio (stewed kidney beans with onions and walnuts) right before serving. The sauce turns dense comfort into something lifted, the way a squeeze of lemon lights up hummus.
Vegetables: Eggplant loves fat; tkemali loves to pierce it. Grill thick slices brushed with oil until smoky. While they rest, drizzle with red tkemali loosened with a bit of water, then top with a chopped salad of tomatoes, onions, and cilantro. The sauce’s herbal bitterness reins in eggplant’s tendency to pout.
Beans: Traditional lobio matures beautifully under a spoon of green tkemali—applied at the end, not cooked in. The sauce brightens bean earthiness and harmonizes with the walnut-and-blue-fenugreek notes often present in the dish.
Fish: Trout is common in Georgian mountain regions, fried in butter until crackling. A line of red tkemali across the top, and suddenly you taste the sweet nuttiness of the butter more distinctly. With oily fish like mackerel, green tkemali’s sharper edges do the heavy lifting.
Bread and cheese: Shoti (canoe-shaped Georgian bread) dipped in tkemali feels like dunking into late spring. With sulguni or imeruli cheese, the sour turns creamy salt into something almost floral.
Vegetable stews: Ajapsandali, a Georgian late-summer stew of eggplant, peppers, and tomatoes, is soft and sweet by nature. A trick I learned from a Tbilisi cook: stir in a teaspoon of green tkemali off the heat to rouse the dish, like cracking a window after a long night.
Tkemali’s pH typically falls below 4, comfortably acidic. That’s good news for safety and shelf life, and it’s why Georgian households line pantries with bottles corked for winter. But acidity alone doesn’t make a sauce sing—distribution and context do.
When you cook the plums, their tartaric and malic acids concentrate. Straining removes skins and pits that can add bitterness, but some bitterness is desirable, so the choice of herbs rebuilds that edge in a controlled way. Salt is crucial: it doesn’t simply make the sauce saltier; it suppresses harshness and lets you taste the herbs and garlic. The small amount of sugar some cooks add isn’t about making the sauce sweet; it’s a matrix tweak, rounding the corners when your plums are aggressively puckery.
In cooking, tkemali can curdle dairy if added at high heat; fold it in off the flame when mixing with yogurt or cream. As a deglazer, its acids free browned bits efficiently. And because the herbs are volatile, long boiling will hollow the sauce out. Keep it hot enough to mingle, cool enough to preserve.
Storage notes: Hot-fill sterilized jars and a proper seal will keep tkemali stable for months in a cool pantry; once opened, refrigerate. The color of green tkemali darkens over time—chlorophyll’s fate. To keep it bright, store in smaller jars you’ll finish quickly, limiting oxygen exposure.
Sometimes a sauce’s soul is tied to a place. But you can work close to the flame.
Above all, respect the salt-acid-bitter-herb balance. Better a clean, simple, sour-herb sauce than an overcomplicated imposter.
On a breezy noon in Kakheti, where the sky feels several sizes too large, I ate a lunch that happily ruined me. The table was wood scarred by decades of knives. There was wine from a qvevri—amber, cloudy, apricot-scented—and a platter of mtsvadi. The pork came smoky and pink in the center, threaded on skewers still warm. A bowl of green tkemali sat in a low clay ketsi. Its surface had a thin, immodest gloss.
We tore shoti with hands and pinched salt flakes. Fingers glistened. Someone poured, and someone else squeezed lemon, only to be waved off—“No need. We have tkemali.” We did. I watched how people used it: never drowned, always dabbed, most often touched to the browned edge where fat collected. They treated tkemali like a lens rather than a coat.
Later, a plate of tomatoes: thick, warm from the sun, sprinkled with purple basil. A spoon of red tkemali slid between the slices. The room smelled like crushed stems and garlic. Nobody talked for a minute because we were busy with the bright silence that only happens when food hits its mark.
In Tbilisi, I tasted a particularly clean, green tkemali at Shavi Lomi, spooned next to fried jonjoli and grilled pork. At Pasanauri, while khinkali took the stage, a side of tkemali hovered on the table, half-ignored until someone dragged a potato through it and lit up. The wine bar Vino Underground once set out a small dish of house tkemali with their bread, a quiet nod to how Georgians eat at home: bread, cheese, herbs, and a lively acid to keep your mouth curious.
Markets are the true classrooms. Deserter’s Bazaar remains my favorite to taste along a line of jars, but you’ll find excellent versions in Batumi’s market too, where sea air sneaks into everything, and where red tkemali seems to speak a little louder.
Tkemali arrives at the table in a small bowl, often clay or enamel, never fancy. At a supra—a Georgian feast—there may be three bowls for a dozen guests, and nobody hoards. You take a spoonful, paint a little on your plate, and pass it on. It keeps company with adjika, raw herbs, pickles (especially jonjoli, the pickled flowers of bladder-nut), and sometimes crushed walnuts.
Don’t drown your food. The sauce is acidic enough to numb if overused. The Georgian way is to find the bite’s weak spot—the fatty corner of a chop, the soft belly of a dumpling—and dab there. When the host notices your tkemali running low, the bowl will magically refill. Let it.
Batch plan: 2 kg plums yields about 1.2 liters. That’s enough for:
Storage: Divide into small jars (200–250 ml). Keep one in the fridge, the rest in the back. Oxygen dulls the herbs; small jars resist staling. Always use a clean spoon, and don’t fear a slight separation—stir it back.
Weekly rhythm:
Thinking this way helps you substitute intelligently. If a recipe calls for lemon, you can sometimes use tkemali and adjust salt and herbs accordingly. If it calls for vinegar, ask whether the dish wants a sour glint or a woven herbal acidity.
In my apartment kitchen, last winter’s jars became this year’s ritual. I learned that tkemali can save a pan of unevenly roasted vegetables with a single spoon. I learned to hide a little in a meatloaf mix; that the loaf no longer tasted like a diner classic, but like something with an opinion. I learned to spoon it over a slice of khachapuri I brought home from a Georgian bakery in Queens, an act that would make some grandmothers sigh and others nod, “Well, it is late and we need salad.”
I also learned restraint. Once, faced with bland baked salmon, I poured on tkemali without thinking, and the sauce scolded me. Used with anger, it can taste like punishment. Used with care, it is the hand on your shoulder guiding you toward the plate’s center of gravity.
Tkemali is as old as the cherry plum trees that line Georgian roads, their blossoms ghosting early spring with white. In older kitchens, the sauce was passed through a ghaveli (a wooden sieve) and simmered in a ketsi, the clay imparting an earth-warm steadiness. Families would make a season’s worth during the first glut of sour plums, when the tree’s enthusiasm outran the appetite for fresh fruit. The sauce stood in for lemon in a place where citrus wasn’t always at hand.
Over time, the pantry became a museum of acidic allies: tkemali, adjika (whose tang is more fire than fruit), vinegar infused with tarragon, and sour grape juice (verjus). Georgian cooks deploy them with painterly intuition. Tkemali is the everyday brush—the one with the worn handle and perfect spring.
There is a kind of memory that only sourness unlocks. It can be the scrape of a pit against a tooth, the way a grandmother’s hand is steady when yours shakes, the sound of a knife against a cutting board after midnight when you thought you were done. Tkemali carries that memory because it comes from fruit that is not yet ready, transformed by heat and patience and salt and the herb knowledge of people who learned that bitterness belongs at the table as much as sweetness.
When I open a jar, the first scent is a field after rain, then garlic riding a bicycle downhill. I think of the woman in the market, of smoke, of a heavy bottle of amber wine suddenly light in the hand. I think of how a sauce can correct a dish and how a dish can correct a day. There’s nothing mystical in it, and yet there is: fruit and herbs, yes, but also the quiet intention that the ordinary should taste like something you want to stay for.
If you cook with tkemali for a week—really cook with it, not just dab—you’ll find your food leaning toward balance on its own. You’ll salt earlier and with more confidence. You’ll stop reaching for sugar to fix dullness and reach for herbs and acid instead. You’ll be less afraid of bitterness and more loyal to it. And maybe, when the first sour plums show up at your market, you’ll find yourself hoarding them, not for jam, but for a sauce that rides the line between restraint and exuberance, everyday and celebratory, Georgia and wherever you happen to be now.
Make a jar. Put it on the table. Learn its language. Then let it speak for your cooking, clear and green and true.