The first hint that breakfast is on its way in Grenada is not a clock but a scent. It drifts out of tin-roof kitchens and roadside stalls like a quiet invitation: hot oil humming, dough turning the color of old gold, onions and sweet peppers sweating into saltfish, a prickle of thyme and culantro rising with the steam. On a good morning—say, a misty one above St. George’s Carenage—you can close your eyes and walk toward that perfume and arrive exactly where you need to be. Bakes and saltfish will be waiting: a warmed paper bag, a quick “morning, chile,” and a crunchy-soft round of dough that tears open to release a sigh of heat and nostalgia.
If you stand by the low wall near St. George’s Market Square on a Saturday, you’ll hear the city settle into its day. The buses chatter like parakeets at the Bruce Street terminal; a knife pops against a coconut’s top, sending up a green, sweet mist; and there, under a shade tent, someone is frying bakes the way their mother did and her mother before her—palms dusted with flour, oil hot and steady, fingers quick and gentle so the dough puffs and the center stays tender. It’s theater, with the oil as orchestra.
The saltfish pan hums a different melody. Onions slide into coconut oil with a soft hiss; they become translucent, then sweet, then caramel at the edges. Julienned bell peppers—red, green, and the occasional golden—toss in an arc and fall like confetti. Tomatoes collapse into a jammy gloss. A leaf of bay, a sprig of thyme, a ring or two of Scotch bonnet just for fragrance, and the star: flakes of saltfish, desalinated until they’re firm but not fierce, savory but not briny. When the vendor stirs that pan, the smell is part ocean breeze, part garden, part memory. Grenada’s nickname is the Spice Isle, and while nutmeg and mace are the obvious mascots, I’d argue the true everyday spice is the perfume of breakfast in the square.
Saltfish arrived in the Caribbean not out of culinary curiosity but out of economics. Centuries ago, cargo holds left the cold North Atlantic stacked with salted cod—dried hard and preserved in a sparkling crust of salt—and made their way to ports across the islands. Grenada, caught up in the brutal machinery of colonialism, became part of a triangle of trade. Saltfish, shelf-stable and cheap, fed plantations and fortified sailors. It was survival food—pragmatic, portable, a protein long before refrigeration.
Yet Caribbean cooks are alchemists. Over generations, they took what was imposed and remade it in their own image: salted cod softened gently in water, then sautéed with heirloom herbs and peppers; folded into Sunday suppers, market breakfasts, and holiday spreads. The French and British left their imprints in Grenada, but it was Grenadian hands that gave saltfish its local voice—brightened with green seasoning, warmed by coconut oil, and often served alongside provision or what we’re here to talk about: bakes.
“Bakes” are the Grenadian cousin of what various islands call johnny cakes, floats, or fry bakes. Their ancestor is the journey cake—enough fuel and comfort to travel with you. In Grenada, a soft dough that walks the line between bread and pastry becomes a daily canvas. You can roast a bake on a flat tawa (griddle) or slip it into shimmering oil until it balloons into a golden dome. Paired with saltfish, it channels a history that’s complex, painful, resilient, and—deliciously—your own.
A Grenadian bake is a round of dough with a personality. It wants to rise up and puff, it wants a little chew, and it wants color—like a sunrise on Grand Anse when the sky gives you every shade of peach. The outside should be quietly crisp, the inside tender, almost steamy, a tangle of soft walls that pull apart. Tear into it and you’ll see little webs where steam raced to escape—signs of a good rest and an oil temperature steady as a drummer at Spicemas.
What’s inside the dough? Flour, certainly, a pinch of salt and sugar (just enough to encourage browning and balance), a little fat (oil or butter) for tenderness, and just enough liquid to bring it together—a mix of water and evaporated milk if you’re feeling lush. Some cooks add baking powder; others rely on patience and the dough’s natural relaxation. Fry bakes puff more dramatically than roast bakes, but a well-made roast bake gets a gentle rise and a delightful chew from a hot griddle and a little technique.
Textures matter. A bake that’s too dense sits heavily on the tongue and feels like it never quite woke up in the oil. Too thin and you’re all crunch, no cradle for the saltfish. The sweet spot is a dough that rolls to about the thickness of a coin, with enough elasticity to puff and not split. When it floats and bronzes in the pan, the smell is warm and wheaty—think toasted biscuit meets island breeze.
Saltfish in Grenada usually means salted cod, though you’ll also see salted pollock or even local fish salted by hand. The point is preservation, followed by reclamation: you take the salt out and leave the flavor in. The desalting is an act of care. You soak the fish in cool water, change the water, maybe give it a gentle simmer—this is important—just to coax out the salt without rinsing away the character.
Once the fish is tender and flakable, the fun begins. You heat coconut oil (or a neutral oil if that’s what you have) until it shimmers. The onions go first, and they tell you when they’re ready by letting their sharpness melt away. Then come the sweet peppers and, in Grenada, often a handful of chopped chadon beni (culantro), its smell a grassy echo of cilantro but deeper and wilder. Thyme, always. You let these sing together for a minute, then add chopped tomatoes so the whole thing becomes a saucy bed for the fish. Saltfish flakes go in last; you fold them gently, letting them warm until they’ve absorbed the pan’s perfume. A squeeze of fresh lime wakes everything up, and if you like, a sliced Scotch bonnet or a spoon of Grenadian pepper sauce adds the precise kind of heat that lingers, then smiles.
Serve that sauté piled high, glossy with tomato and studded with green herbs. The taste is balanced: saline memory, sweetness from the onion, a feathery bitter tinge from the thyme stalks you forgot to fish out, and the brightness of lime. Put that on a hot bake and expect silence at the table, followed by the kind of sigh that means somebody’s happy.
Here’s the way I make it when I’m homesick for Market Square and the soft slap of dough against a floured board. This yields breakfast for four, or a very pleased pair of hungry people.
Ingredients for the Fried Bakes:
Ingredients for the Saltfish Sauté:
Desalting the Saltfish:
Making the Bakes:
Sautéing the Saltfish:
Serve immediately: split a hot bake and tuck in a generous mound of saltfish. If you’re me, you add a thin smear of pepper sauce and a few slices of ripe avocado (zaboca). Eat while the steam fogs your glasses.
Roast Bake Variation (for a lighter bite):
Grenadian kitchens carry personal signatures like a well-loved wooden spoon. Here are a few tweaks you’ll find as you travel from Sauteurs to St. David:
Gouyave wakes earlier than most places I’ve been. When I first learned to fry bakes for a crowd, it was in a fisherman’s yard by the sea, where the light spreads across the water like melted aluminum. We cooked on a ring-burner perched over a blue gas cylinder, a cauldron of oil trembling with heat. The men had been up before dawn, nets folded neatly like sleeping birds. A neighbor passed with a crate of green figs; a child on her hip sang a tune in a whisper.
I remember the rhythm: roll, fry, flip, drain, hand. Saltfish, already sautéed with tomatoes and thyme, waited in a Dutch pot under a towel to keep warm. A bottle of pepper sauce stood guard. When the first bake tore—steam fogging my glasses—the fisherman’s wife tore it wider, muttered “Look how she puffin’,” and stuffed it with saltfish in one confident motion. He took it with a nod, bit in, closed his eyes as if to listen to the taste.
There were no measuring spoons, only hands and sight and stories. A shake of flour, a pinch that lives between thumb and forefinger, water by the feel of the dough’s breath. The sea was a gray-blue wall; the bakes were light as small clouds. By the time the boats pushed out, we had fed a yardful of people, and the oil smelled like the sun.
Across the Caribbean, the family tree of fried breads is a lively one. Grenadian bakes share DNA with neighbors but keep their own rhythm.
The saltfish, too, changes costume. In Grenada, the sauté leans savory-herbal, often warm and glossy with tomato. Elsewhere, “buljol” travels cool and bright with lime and raw onions. Each island’s approach is a map of preference, climate, and the pantry at hand.
Wherever you try it, listen for the key phrase: “Hot ones just come.” That means puffy, blistered edges and saltfish warm enough to scent the air.
Saltfish muscled its way into Caribbean cuisine through history’s rough seas, but today we have choices. If you can, look for cod from fisheries certified for sustainability, or consider responsibly sourced pollock. In Grenada, salted local fish can also be a delicious alternative—denser, sometimes brinier, and deeply connected to place.
When shopping, look for firm fillets with a clean, ocean smell—not sharp or ammoniac. The flesh should be pearly and even, not dry and chalky. If the saltfish is very stiff, it’s often a good sign; you’ll rehydrate carefully anyway.
For herbs, buy chadon beni at the market—it looks like elongated serrated leaves and smells like cilantro’s bold cousin. Thyme here often comes tied in adorable little bundles. Don’t skimp; this herb is the backbone of the sauté’s music.
Flour matters less than freshness; choose a reliable brand and keep it sealed to avoid the tropical humidity turning it clumpy. Coconut oil for the sauté should smell like the inside of a coconut, not plastic or stale.
Words like bakes, floats, johnny cakes—these are more than culinary terms. They are passports stamped with place and belonging. In Grenada, you’ll hear “bakes” with a fondness that folds the dish into family. During Spicemas, after long nights of music and mas, bakes and saltfish are the steadying hand. In churches after service, at school fundraisers, on a Sunday when rain patters on zinc roofs—this dish shows up as if it had been waiting behind the door.
Food memory is layered. When a Grenadian abroad makes bakes on a winter morning in Brooklyn or Brixton, the kitchen warms with both the heat of the stove and the heat of remembering. The saltfish pan looks out at a different street, but the aroma is the same, stubbornly hopeful. The first tear into a hot bake is the exact shape of home.
There’s a woman I think of when I fry bakes—a vendor near the steps that spill from Young Street down to the Carenage. She wears an apron printed with lilies. When she fries, she keeps one ear on the oil and one ear on the world: calling to a passing fisherman, teasing a schoolboy, noting the weather’s intentions. Her hands never stop moving: roll, flip, drain, fill, hand off, smile.
I once asked her about measurements. She laughed and handed me a dough ball. “You measure with your fingertips,” she said. “They tell you if it’s right.” I rolled the dough—it was supple, almost breathing. She dropped it into the oil and it puffed like a held breath released. When I bit into the finished bake with saltfish tucked inside, the Carenage behind her might as well have been a painted backdrop. All I could see was the interior—snowy and soft with a hollow I wanted to fill again and again.
One of my favorite rituals is calling home when I make bakes and saltfish. The phone hums on speaker as I stir onions; a voice miles away tuts softly when I add the peppers too soon, says, “Give the onion its time, nah.” I am reminded that “time” in this dish is not simply minutes on a clock but trust—trust that the dough will puff if you let it rest, that the salt will leave the fish if you coax it, that the flavors will come together if you don’t rush them.
There’s emotion tucked into these motions. The way a wrist flicks to spoon hot oil over the dough, the half-smile when the first bake balloons, the sigh that a kitchen makes when lime hits hot saltfish and releases its bright perfume. Breakfast is a mood, a memory; in Grenada, it’s a declaration that you’re here, now, present and hungry and ready to meet the day.
Set your table with the small luxuries that turn breakfast into a feast: a bowl of pepper sauce with a tiny spoon, a plate of sliced cucumbers glossed with lime, half a ripe avocado, cocoa tea in chipped enamel mugs. Stack the bakes nearby under a clean dish towel to keep their warmth, and bring the saltfish to the table in a heavy pan so it stays warm against the wood. Invite whoever’s around. They will come.
What you’ve made isn’t just fuel. It’s an edible map: lines connecting the North Atlantic’s cold seas to a Grenadian kitchen’s warm stove, lines connecting market stalls and coastal yards to your own hands, lines connecting morning to memory. When the last bake is torn and the last bit of sauté dragged across the plate and devoured, you’ll understand why this classic is not simply a dish but a way of saying “home.”
The smell of coconut oil will linger, the pan will glisten, and someone will ask when you’re making it again. That’s the secret of bakes and saltfish—you never truly finish it. You just pause until the next morning calls your name.